Alan Hawkshaw |
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In a long and distinguished career spanning well over forty years, Alan Hawkshaw has always been at the top of his profession as one of the most in-demand studio musicians, owing to his virtuosic and sensitive technique on a variety of keyboard instruments, but most notably on the piano and Hammond organ.
In the very beginning Alan was a member of the rock'n'roll group Emile Ford & The Checkmates who recorded several hits in the 1960's. During this time he toured with The Rolling Stones and socialised with The Beatles. In the 1970's, he joined The Shadows, while at the same time; he enjoyed working as Olivia Newton-John's Musical Director and arranger/pianist for which he was awarded Best Arrangement by The American Academy of Arts and Sciences for I Honestly Love You'.
It then followed that Alan was instrumental in a host of hits and worked with such artists including: Barbra Streisand, Dusty Springfield, The Tremeloes, Cliff Richard, Serge Gainsbourg, Tom Jones, Lulu, David Bowie, Marty Webb, The Marmalade, Maynard Ferguson, Ella Fitzgerald, Albert Finney, Alec Constandinos, Cerrone, Ray Davies (of Button Down Brass fame), Isabel Adjani, Jane Birkin, Englebert Humperdink, Geoff Wayne, Sacha Distel, Donovan, Catherine Deneuve, Cilla Black and Shirley Bassey plus many, many more…
During the golden era of the British session musician - Alan’s keyboard artistry featured on a staggering amount of recordings. You may not be familiar with Alan Hawkshaw but he has one of those names that you've read on countless album covers or single labels as arranger, writer or keyboard player and this is not surprising as Alan has played on approximately 7,000 recording sessions!
As a composer, Alan Hawkshaw has written the music for more than 35 films and countless television programmes including The Outsider, The Silent Witness (for which he was awarded the Ivor Novello Award for Best Film Score), Dreams Lost Dreams Found, Magic Moments and the classic television themes for Countdown, Grange Hill, The New Statesman, Channel 4 News, Channel 4 Racing, Love Hurts (for which he earned a BAFTA nomination), Tucker's Luck, Bellamy at Large, The Dave Allen Show and The Kenny Everett Video Show. Alan has also enjoyed a fruitful association with the doyen of science fiction writers, Arthur C. Clarke, composing for successive series of Arthur C. Clarke's Mysterious Universe.
His library track Chicken Man was first famously utilised as the theme for Give Us A Clue and has since been sampled excessively. Artists Worldwide are discovering and sampling Alan’s music and recent hits and writer collaborations include: Pray by Jay-Z from the American Gangster Album and his track Chainsaw features in the movie The Ugly Truth (starring Gerard Butler and Katherine Heigl)...with the track Move, Move, Move' in Nacho Libre (starring Jack Black) to name but a very few…
Alan has collaborated with many writers over the years including: Alan & Marilyn Bergman, Don Black, Barry Mason. Geoff Stevens and composer/arranger Keith Mansfield. Another of Alan’s longstanding musical associates is drummer, composer and Shadows’ member, Brian Bennett, and Alan’s unique and percussive Hammond organ style features heavily on A Change of Direction and The Illustrated London Noise - the albums Brian recorded under his own name for EMI in the late ‘60s.
As far as British Hammond organists are concerned, and session players in general, they really don’t come any better or more talented than Alan Hawkshaw. In the latter part of the ’60s he developed a technique and sound on this instrument as personal and technically brilliant as the great American Hammond organists such as Jimmy Smith, Johnny Hammond and Richard ‘Groove’ Holmes. The hallmarks of Alan’s Hammond style are the seething energy and sheer excitement he invests his playing with, helped in no small measure by his breathtaking virtuosity.
Alan Hawkshaw is the undisputed king of library music! Writing library music has been and continues to be, a large part of Alan’s career and throughout the ‘60s and ’70s it provided him with a major outlet for his own compositions. During this period, KPM and later Bruton Music, were the companies for which he wrote extensively but he also has writing credits within the libraries of companies including Amphonic, Music House, Cavendish Music, de Wolfe, Themes International (a company he co-owned with drummer Barry Morgan and guitarist Alan Parker and latterly Noise Pump Music, now known as Atlas Production Music). From a funk perspective, many of the best and most collectable KPM LPs of the ’60s and ’70s are thanks to the presence of Alan’s compositions. Speed and Excitement (KPM 1076, 1970), Music for a Young Generation (KPM 1086, 1971), Move with the Times (KPM 1123, 1973) and Sounds of the Times (KPM 1170, 1975) feature the Hawkshaw brand of funk, with original vinyl issues continuing to sell for hefty sums. All this has seen Alan become something of a legend amongst funk collectors.
The popularity of this aspect of Alan’s career has obscured to some extent his other musical abilities. He is a superb jazz pianist and improviser, harmonically and melodically inventive with an elegant sense of swing, and a supremely gifted orchestral arranger. One of the best places to hear this side of Alan’s talent is on the Misty LP, recorded by Collage in 1973 for EMI’s Studio 2 subsidiary. Collage was a studio band consisting of electric bassist Dave Richmond, Brian Bennett on drums and Alan on acoustic and electric pianos and organ, and was assembled solely for this project.
It gave Alan one of his few opportunities during the ’70s to record in a straight-ahead jazz trio setting, and he came up with spellbinding improvisations on evergreens such as Errol Garner’s Mist and Anthony Newley’s and Leslie Bricusse’s Who Can I Turn To. It also allowed him to score enchanting orchestral arrangements of standards such as David Raksin’s Laura and Michel Legrand’s What are You Doing the Rest of Your Life. Alan’s song compositions continue into the 21st Century having composed, produced and arranged the entire Bob Saker album, On A Night Like This and Des O’Connor’s Inspired album (both currently available on i-Tunes!).Aside from all this Alan is currently delighted to be working with renowned Theatre and Film Screenwriter David Soames, on their exciting collaboration of the Musical Berlin.
In addition, Alan is the MD of Petal Music and Alan Hawkshaw Music. Petal receiving two prestigious awards from BMI for over 3million sales on two of its titles Let Me Be There and If You Love Me Let Me Know.
His Board duties have included 5 years serving on the APC (Association of Professional Composers) now under the BASCA organisation.
And finally, when Alan isn’t performing with talent he’s investing in it! In 2004, in association with the Performing Rights Society (PRS), he setup The Alan Hawkshaw Foundation at Leeds College of Music (LCM) - the area he hails from - which is a scholarship programme providing financial support to gifted young musicians enrolled on the College’s Music and Jazz degree courses. The Foundation specifically helps students studying full time at the LCM and is Alan’s way of giving something back to the music industry by helping to ensure financial difficulties don’t prevent Britain’s brightest musical talent from gaining access to expert tuition and from kick-starting professional careers in music. John Dankworth CBE, one of Britain’s best known jazz musicians, composers and commentators is a patron.
“We are proud to be associated with Alan Hawkshaw, one of the UK's most prestigious composers and fully support his scheme to fund underprivileged students in the field of music. Together with LeedsCollege of Music, Alan has created a bursary fund, which will contribute towards tuition fees, instrument costs and will most importantly give the next generation of artists and musicians the opportunity to follow their dreams. We fully commend Alan Hawkshaw for his promise to give something back to the new composers and lyricists of tomorrow. This kind of support and generosity is vital to our industry and we would have no hesitation in recommending being associated with this venture”
In Radlett, where Alan lives he has paid for the Sound System at the Radlett Centre for Performing Arts and also underwrites the Radlett Junior Tennis Tournament, now in it’s 8th year (an LTA approved event).
Aside from investing his time and finance in the music industry, for the past 25 years, he has also donated 10% of his income towards the welfare of people less well off, specifically those victim of the effects of natural disasters like Hurricane Katrina.
If you haven't heard of Alan Hawkshaw, there's a very good chance you will know him through his music… the man is simply a Legend!...
The Champ (The Hawk Talks) (Autobiography)
Alan has been busy writing his memoirs over the past few years collating stories from many diaries and memories from a life less ordinary! From his early childhood beginnings growing up in a modest working-class family in Leeds, through to becoming one of the UK’s most successful and much loved musicians. Alan’s writing is personable, riveting and hilarious… much like the man himself!
The Autobiography is entitled The Champ (The Hawk Talks) after one of Alan’s famous tracks of the same name. The book is scheduled for release in December 2010.
For readers wanting something unique, the book will also be released as a Special Limited Edition which includes a copy of Alan’s Album for Arthur C Clarke’s Mysterious World.
For further information, you can find updates about the book on The Champ - The Hawk Talks (by Alan Hawkshaw) on facebook.
Regarding press, PR and interviews, please contact Alan’s Agent: Amanda Street at DNA Music Limited
Visit Alan's website: alanhawkshaw.com
Accolades
"Happy memories Alan. Many congratulations on this well-deserved award"
"Congratulations HAWK! Well deserved From all your friends at KPM, Music House"
"Congratulations Hawk. ‘I Honestly Love You’… I must say you played so beautifully on that track. Love and light"
"I was asked if I could come up with a few words about Alan Hawkshaw. Well let’s start with musician. composer, arranger…then add imagination…flair, boundless enthusiasm and you will have only a thinly sketched outline of The Hawk”
"Big Al has been a friend and a major musical force for as long as I can remember and he hasn't peaked yet. I have heard some of the gems from his new musical theatre venture and as the great Al Jolson used to say - you ain't heard nothing yet".
"The biggest applause of the evening was reserved for Hawkshaw, whose theme to 'Dave Allen at Large' fizzed with a sense of occasion that latter-day TV themes struggle to match. It was also an evening that saw a few long-standing questions finally answered. What was that instrument on the bouncy Grange Hill music? For the curious, it was a guitar fed through some sort of pedal".
"It is most rare in our complex world of music, to come across such a great musician/composer and arranger who, to this day, retains such professionalism and exuberance not only for his own excellence, but for his peers also, in his chosen career. The Hawk (as he is fondly known) is certainly 'up there' with the best, and I am most fortunate to count him as being one of my closest friends and colleagues over the years. Continued success my dear friend...Sincerely, Les”
"Hawk, doyen of Radlett society, master keyboardist and composer of some of the most annoyingly memorable tunes ever to worm their way into my brain..."
"So let us tell you about Mr Alan Hawkshaw: He’s the undisputed king of Library music composers and is responsible for a wealth of TV and movie theme tunes, namely The Channel 4 News tune, Countdown, the Cadbury’s milk tray advert and of course the theme tune to Grange Hill. We owe a lot to this man. Download and love”
"Alan was my first choice keyboard player when I became a freelance arranger in 1965. He was not only a good reader, but his sense of time was great for 'pop/commercial' records and he always managed to add something fresh to the written part. We first met in Denmark Street (London's 'Tin Pan Alley') when I was working in the arranging department of KPM Music and Alan was playing piano on demo sessions in KPM's studio. KPM was to become a big part of both of our lives because it gave us our first chance as composers of library / production music. Many of these compositions became very popular TV themes. Forty years ago Alan developed a very distinctive 'funky' percussive style of playing the Hammond organ, which is still much admired (and sampled) today. You can get lucky in the music business for a while, but only talent will sustain that success for a lifetime".
"I first met ‘The Hawk’ in 1960 when I produced my debut top 5 hit for Pye Records – Emile Ford’s ‘Counting Teardrops’. 'Big Al' was the piano player with The Checkmates, Emile’s backing group and he managed to keep me sane on that session. Always one of my favourite keyboard players, we’ve worked and socialized together many times ever since. Thanks, Al, for not only being a great musicianwith a wicked sense of humour but also for the long friendship we’ve enjoyed".
"27 Top TV Themes" - "Any platter touched by the hand of The Hawk gets a good deal of attention these days. This is one that is well deserving of such demand. It contains a lot of excellent cheesy funk-ups, mostly in medley format, of generally up-tempo TV tunes. Nice! Brian Bennett on the skins, Ray Davies parping his horn and Hawkshaw grinding away at the keys: what else do you want? Jam on it?"
"Alan Hawkshaw has been known for composing music for many movies and television shows in the 1960s and '70s. Listening to an organ sometimes gives people the feeling they're in a funeral or church – not when you listen to Hawkshaw! Hawkshaw's Mo'Hawk album has the right grooves that offers a spectacular mix of organ, flute and brass instruments. Emotions emerge when you feel like hopping on a flight for a holiday, the next minute you feel like you're being chased through the city streets. My personal favorite is "Action Man." For a sample of Mo'Hawk, watch a video of "Girl in a Sportscar" and "Action Man"
TV Themes Tunes - Don't Mess With The Best!
"Think Grange Hill and regardless of how old you are, you immediately think of Chicken Man by Alan Hawkshaw. That's because it's a timeless, iconic piece of music; its loping gait and elastic bass manages to perfectly capture the essence of what it's like to be at school, especially when accompanied by a cartoon of a flying sausage. What you don't think of, however, is the theme tune that replaced Chicken Man in 1990, because it sounds like it should be soundtracking an instructional health and safety video for a regional firm of double glazing installers. If you do think of this version of the Grange Hill theme tune, it's safe to assume that you're already dead to me".
The Rolling Stones On The Checkmates
"I think they are great, and after continually watching their act night after night, I still find them amusing, their pianist Al Hawkshaw is fantastic!"
"One of the most colourful and varied acts we have had the pleasure of working with - great!"
I Honestly Love You
(Olivia Newton John) - songwriter
Countdown
(Channel 4 Television)
Grange Hill
(BBC1)
The New Statesman
(Yorkshire Television)
Channel 4 News and Channel 4 Racing
(Channel 4 Television)
Arthur C Clark's Mysterious World
(Yorkshire Television)